Do Re MiC D E

Amor (Ivan Lins)

Lins Ivan4/4pop-ballad
%
Gmaj9/B
A13sus4
A13
Dmaj7♯5
G♯7sus4
C♯7sus4
Bm/F♯
F7sus4
Amaj9
Amaj9
G13sus4
%
Gmaj9/B
A13sus4
A13
Dmaj7♯5
G♯7sus4
C♯7sus4
Bm/F♯
F7sus4
Amaj9
A9sus4
Amaj7/C♯
E7sus4
Amaj9
A13sus4
A13
Amaj7/C♯
E7sus4
Amaj9
E13sus4
E13

Chord Diagrams — Amor (Ivan Lins) in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
C♯m9
7frEADGBEx13244
EADGBEx21344
5frEADGBE222x14
9frEADGBE111134
Gmaj9/B
9frEADGBEx2143x
EADGBE21
EADGBE111243
3frEADGBExx2314
A13sus4
11frEADGBE44x213
EADGBEx123
3frEADGBE4231
5frEADGBE111324
A13
11frEADGBE44x213
EADGBEx123
3frEADGBE4231
5frEADGBE111324
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
D6
7frEADGBE111134
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
Dmaj7♯5
5frEADGBEx1243
EADGBExx423
2frEADGBE111432
9frEADGBExx231
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Bm/F♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♯9
EADGBE214
3frEADGBE312
6frEADGBEx2134x
9frEADGBE11123
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
G13sus4
3frEADGBE111324
EADGBE321
3frEADGBE11x234
9frEADGBEx21334
A9sus4
A - D - E - G - B
A9
2frEADGBE431
EADGBE11x32
5frEADGBE111324
11frEADGBEx21333
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
Amaj7/C♯
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
E13sus4
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134

Explore More

Amor (Ivan Lins) in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to C# (descending perfect fourth), C# to G (ascending tritone), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to G# (ascending tritone), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to F# (descending perfect fourth), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to B (ascending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to C (ascending unison), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop-ballad4/4 · 48 bars · Form: AB

Chords: Amaj7, F♯m9, C♯m9, Gmaj9/B, A13sus4, A13, Dmaj7, D6, Dmaj7♯5, G♯7sus4, G♯7, C♯7sus4, C♯7, Bm/F♯, F♯maj7, F7sus4, F7, A♯maj7, Bm7♭5, E7♯9, Amaj9, G13sus4, A9sus4, A9, Dm9, Amaj7/C♯, Cmaj7, C6, Bm7, E7sus4, E7, E13sus4, E13.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A