C Persian (tsinganikos) Bass Scale
Bass scale — fretboard diagramAdvanced
C Persian (tsinganikos) Scale — Notes and Intervals
The C Persian (tsinganikos) scale features augmented second intervals in both its lower and upper tetrachords, with a flatted seventh that distinguishes it from other Persian-type scales. On Bass, the notes are C, Db, E, F, Gb, A, Bb. Its dual exotic leaps create a winding, serpentine melodic path central to Greek Rebetiko and Laiko traditions, where it carries the fierce passion of Romani musical expression. Commonly used in Greek Folk, Middle Eastern, Romani, Film Scores. Notable players include Glykeria, Stelios Kazantzidis. Use over sustained root notes and drone-based harmony. The dual augmented 2nds support ornamental melodic passages. Works over both major and minor chords depending on which tetrachord is emphasized.
Notes: C, Db, E, F, Gb, A, Bb
Intervals: 1P, 2m, 3M, 4P, 5d, 6M, 7m
Degrees: 1 b2 3 4 5 6 b7
Formula: H-WH-H-H-WH-H-W
Number of notes: 7
Musical Character
Contains augmented 2nd intervals in both its lower and upper tetrachords, with a b7 that distinguishes it from other Persian-type scales. The double exotic leap creates an intensely passionate, winding melodic character.
Genres & Notable Artists
Genres: Greek Folk, Middle Eastern, Romani, Film Scores
Notable players: Glykeria, Stelios Kazantzidis
How to Use the C Persian (tsinganikos) Scale
Use over sustained root notes and drone-based harmony. The dual augmented 2nds support ornamental melodic passages. Works over both major and minor chords depending on which tetrachord is emphasized.
Origin & Background
Known as Tsinganikos in Greek folk music, where it is associated with the Romani musical traditions of Greece. The name literally means 'of the Roma' in Greek. It functions as the 5th mode of the Hijazkiar (double harmonic major) scale and features prominently in Rebetiko and Laiko genres.
How to Play C Persian (tsinganikos) on Bass
On bass, locate C on the A string at fret 3. Use a one-finger-per-fret approach starting from the root and span two to three strings. Keep your fretting hand relaxed and practice shifting between positions cleanly.
The C Persian (tsinganikos) scale contains 3 flats (Db, Gb, Bb). This scale does not follow a traditional major or minor key signature, so reading from sheet music may require accidentals.
Practice Routine — Exercises for Playing
Practice the C Persian (tsinganikos) scale by playing it ascending with one rhythmic feel (straight eighth notes) and descending with another (swing or triplets) at 100 BPM. This dual approach trains both technical accuracy and rhythmic versatility with the 7 notes of the scale.
Exotic scales like the Persian (tsinganikos) often work best as a melodic layer over a single root drone on C. Let the unique intervals speak for themselves without frequent chord changes. This scale is especially effective in middle eastern contexts.
Bass Tips
On bass, use the C Persian (tsinganikos) scale to build walking bass lines by targeting chord tones on strong beats and using scale tones as approach notes. This is the foundation of functional bass playing. Aim for a passionate quality in your phrasing to match the natural character of this scale.
Related Scales
The C Persian (tsinganikos) scale contains 7 notes (C, Db, E, F, Gb, A, Bb). Use the interactive fretboard diagram above to explore each shape and pattern on Bass with different tunings and fret ranges. Practice ascending and descending from the root note to learn the sound of this scale.
CAGED Positions & Patterns for C Persian (tsinganikos)
The C Persian (tsinganikos) scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 7-note scale, it also lends itself to 3-notes-per-string (3NPS) patterns that facilitate legato playing and diagonal shifting. Use the pattern selector above to isolate each position.