F Lydian Dominant Seventh Bass Arpeggio
Bass arpeggio — fretboard diagram
F Lydian Dominant Seventh Arpeggio — Notes and Intervals
Notes: F, A, C, Eb, B
Intervals: 1P, 3M, 5P, 7m, 11A
Formula: 2W-WH-WH-8
Number of notes: 5
Also known as: 7#11, 7#4
The F Lydian Dominant Seventh arpeggio contains 5 notes (F, A, C, Eb, B). Use the interactive fretboard above to explore this arpeggio on Bass with different tunings and fret ranges.
When to Use the F Lydian Dominant Seventh Arpeggio
Play the F Lydian Dominant Seventh arpeggio whenever a F Lydian Dominant Seventh chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The F Lydian Dominant Seventh arpeggio uses 5 notes (F, A, C, Eb, B) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play F Lydian Dominant Seventh Arpeggio on Bass
On bass, locate F on the E string at fret 1. Span the 5 notes (F, A, C, Eb, B) across two to three strings using one finger per fret. Focus on even tone production between plucked strings and smooth position shifts.
The F Lydian Dominant Seventh arpeggio outlines a dominant seventh chord, creating the tension that wants to resolve. Use it over F7, F9, F13 chords, especially in blues, funk, and jazz where dominant harmony drives the groove.
Practice Routine
Start by playing the F Lydian Dominant Seventh arpeggio ascending and descending at 60 BPM, one note per beat, using a metronome. Once even and confident, play it in eighth notes, then triplets, keeping each note articulate. Spend at least 5 minutes daily on this before moving to musical application.
Bass Tips
On bass, use the F Lydian Dominant Seventh arpeggio as the skeleton for your bass lines. Target the root on beat 1, then use the other tones (A, C, Eb, B) on weaker beats to create movement while keeping the harmonic foundation solid.