D Major Seventh Sharp Eleventh Bass Arpeggio
Bass arpeggio — fretboard diagram
D Major Seventh Sharp Eleventh Arpeggio — Notes and Intervals
Notes: D, F#, A, C#, G#
Intervals: 1P, 3M, 5P, 7M, 11A
Formula: 2W-WH-2W-7
Number of notes: 5
Also known as: maj#4, Δ#4, Δ#11, M7#11, ^7#11, maj7#11
The D Major Seventh Sharp Eleventh arpeggio contains 5 notes (D, F#, A, C#, G#). Use the interactive fretboard above to explore this arpeggio on Bass with different tunings and fret ranges.
When to Use the D Major Seventh Sharp Eleventh Arpeggio
Play the D Major Seventh Sharp Eleventh arpeggio whenever a D Major Seventh Sharp Eleventh chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The D Major Seventh Sharp Eleventh arpeggio uses 5 notes (D, F#, A, C#, G#) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play D Major Seventh Sharp Eleventh Arpeggio on Bass
On bass, locate D on the A string at fret 5. Span the 5 notes (D, F#, A, C#, G#) across two to three strings using one finger per fret. Focus on even tone production between plucked strings and smooth position shifts.
The D Major Seventh Sharp Eleventh arpeggio outlines a D major chord and works perfectly over D, Dmaj7, D6 harmonies. It is a foundational arpeggio for soloing over major-key progressions and emphasizes the bright, resolved character of the major triad.
Practice Routine
Practice the D Major Seventh Sharp Eleventh arpeggio in different octaves, starting low and working up. Then try displacing the octaves — play the root low, the F# an octave higher, and continue leaping. This trains your ear to hear the intervals (1P, 3M, 5P, 7M, 11A) in any register.
Bass Tips
Practice the D Major Seventh Sharp Eleventh arpeggio on bass using a raking technique across adjacent strings for a smooth, flowing sound. Then try the same shape with a two-finger alternating pluck for a more defined, punchy articulation.