C Major Seventh Flat Sixth Bass Arpeggio
Bass arpeggio — fretboard diagram
C Major Seventh Flat Sixth Arpeggio — Notes and Intervals
Notes: C, E, Ab, B
Intervals: 1P, 3M, 6m, 7M
Formula: 2W-2W-WH
Number of notes: 4
Also known as: M7b6, ^7b6
The C Major Seventh Flat Sixth arpeggio contains 4 notes (C, E, Ab, B). Use the interactive fretboard above to explore this arpeggio on Bass with different tunings and fret ranges.
When to Use the C Major Seventh Flat Sixth Arpeggio
Play the C Major Seventh Flat Sixth arpeggio whenever a C Major Seventh Flat Sixth chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The C Major Seventh Flat Sixth arpeggio uses 4 notes (C, E, Ab, B) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play C Major Seventh Flat Sixth Arpeggio on Bass
On bass, locate C on the A string at fret 3. Span the 4 notes (C, E, Ab, B) across two to three strings using one finger per fret. Focus on even tone production between plucked strings and smooth position shifts.
The C Major Seventh Flat Sixth arpeggio outlines a C major chord and works perfectly over C, Cmaj7, C6 harmonies. It is a foundational arpeggio for soloing over major-key progressions and emphasizes the bright, resolved character of the major triad.
Practice Routine
Start by playing the C Major Seventh Flat Sixth arpeggio ascending and descending at 60 BPM, one note per beat, using a metronome. Once even and confident, play it in eighth notes, then triplets, keeping each note articulate. Spend at least 5 minutes daily on this before moving to musical application.
Bass Tips
On bass, use the C Major Seventh Flat Sixth arpeggio as the skeleton for your bass lines. Target the root on beat 1, then use the other tones (E, Ab, B) on weaker beats to create movement while keeping the harmonic foundation solid.