B Suspended Fourth Bass Arpeggio

Bass arpeggio — fretboard diagram

B suspended fourth arpeggio — bass fretboard diagramInteractive fretboard diagram showing the B suspended fourth arpeggio on bass with 21 frets. Notes: B, E, F#.BEF#BEEF#BEF#BBEF#BEF#EF#BEF#B13579111213151719

B Suspended Fourth Arpeggio — Notes and Intervals

Notes: B, E, F#

Intervals: 1P, 4P, 5P

Formula: 5-W

Number of notes: 3

Also known as: sus4, sus

The B Suspended Fourth arpeggio contains 3 notes (B, E, F#). Use the interactive fretboard above to explore this arpeggio on Bass with different tunings and fret ranges.

When to Use the B Suspended Fourth Arpeggio

Play the B Suspended Fourth arpeggio whenever a B Suspended Fourth chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.

Arpeggio vs. Scale

The B Suspended Fourth arpeggio uses 3 notes (B, E, F#) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.

How to Play B Suspended Fourth Arpeggio on Bass

On bass, locate B on the A string at fret 2. This compact 3-note arpeggio (B, E, F#) can be played across two strings without shifting, making it ideal for building bass lines that clearly outline the harmony.

The B Suspended Fourth arpeggio avoids the third, creating an open, unresolved sound. It works over Bsus4, Bsus2, B7sus4 voicings and is perfect for creating a modern, ambiguous harmonic feel that neither commits to major nor minor.

Practice Routine

Practice the B Suspended Fourth arpeggio in different octaves, starting low and working up. Then try displacing the octaves — play the root low, the E an octave higher, and continue leaping. This trains your ear to hear the intervals (1P, 4P, 5P) in any register.

Bass Tips

Practice the B Suspended Fourth arpeggio on bass using a raking technique across adjacent strings for a smooth, flowing sound. Then try the same shape with a two-finger alternating pluck for a more defined, punchy articulation.

Related Resources

    ← Back to all Bass arpeggios