A# Augmented Bass Arpeggio

Bass arpeggio — fretboard diagram

A# augmented arpeggio — bass fretboard diagramInteractive fretboard diagram showing the A# augmented arpeggio on bass with 21 frets. Notes: A#, D, F#.A#DF#A#DDF#A#DF#A#A#DF#A#DF#F#A#DF#A#13579111213151719

A# Augmented Arpeggio — Notes and Intervals

Notes: A#, D, E##

Intervals: 1P, 3M, 5A

Formula: 2W-2W

Number of notes: 3

Also known as: aug, +, +5, ^#5

The A# Augmented arpeggio contains 3 notes (A#, D, E##). Use the interactive fretboard above to explore this arpeggio on Bass with different tunings and fret ranges.

When to Use the A# Augmented Arpeggio

Play the A# Augmented arpeggio whenever a A# Augmented chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.

Arpeggio vs. Scale

The A# Augmented arpeggio uses 3 notes (A#, D, E##) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.

How to Play A# Augmented Arpeggio on Bass

On bass, locate A# on the A string at fret 1. This compact 3-note arpeggio (A#, D, E##) can be played across two strings without shifting, making it ideal for building bass lines that clearly outline the harmony.

The A# Augmented arpeggio has a symmetrical, ethereal quality built from major thirds. It fits over A#aug, A#+, A#maj7#5 chords and is useful for creating a sense of upward motion and harmonic ambiguity.

Practice Routine

Play the A# Augmented arpeggio as whole notes over a backing track or drone on A#. Focus on intonation and tone quality for each of the 3 notes (A#, D, E##). After a few passes, begin improvising short melodic phrases built from these arpeggio tones, connecting them with passing notes.

Bass Tips

On bass, use the A# Augmented arpeggio as the skeleton for your bass lines. Target the root on beat 1, then use the other tones (D, E##) on weaker beats to create movement while keeping the harmonic foundation solid.

Related Resources

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