C# lydian dominant chords

All ukulele chords for the C# lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ lydian dominant scale diatonic chords

IC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIIF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
IVG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
VA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VIIB aug
GCEA231
GCEA22313frGCEA11244frGCEA1342

C♯ lydian dominant scale seventh chords

IC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
IIE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
IIIF m7♭5
GCEA1132
4frGCEA11237frGCEA231410frGCEA1234
IVG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
VA♭ mmaj7
GCEA1342
4frGCEA11437frGCEA221410frGCEA2241
VIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VIIB major seventh flat sixth
B - D♯ - G - A♯

scale

Ukulele fretboard diagram

C# lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# lydian dominant scale on ukulele with 15 frets. Notes: A#, B, C#, D#, F, G, G#.A#BC#D#FGG#A#BFGG#A#BC#D#FGC#D#FGG#A#BC#D#GG#A#BC#D#FGG#A#13579111213

C# lydian dominant scale — ukulele chords and intervals

The harmonized C# lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from C# lydian dominant are C# major, D# major, F diminished, G diminished, G# minor, A# minor, B augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The C# lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: C# major, D# major, F diminished, G diminished, G# minor, A# minor, B augmented.

DegreesChord
IC# major
iiD# major
iiiF diminished
IVG diminished
VG# minor
viA# minor
vii°B augmented

Degree-by-Degree Analysis

The I chord (C# major) is the tonic — the gravitational center of the key. The ii chord (D# major) is the minor subdominant, commonly used to approach the V chord. The iii chord (F diminished) functions as a substitute for the I or vi. The IV chord (G diminished) is the subdominant — it adds motion and moderate tension. The V chord (G# minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A# minor) is the relative minor — it brings emotional color and depth. The vii° chord (B augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View C# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore C# lydian dominant Further