Samba do Avião in B

Samba do Avião in B

Samba do Avião in B — Tom Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: B – C#m7 – D#m7 – Emaj7 – G#7 – F#7 – Em – Bmaj7.

Samba do Avião in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to D# (ascending whole step), D# to E (ascending half step), E to G# (ascending major third), G# to F# (descending whole step), F# to E (descending whole step), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.