Sabiá in G#

Tom Jobim / Chico Buarque(1968)bossa-novaBossa nova lenta

Sabiá in G#

Sabiá in G# — Tom Jobim / Chico Buarque's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: G#maj7 – A#m7 – D#7 – G#m7 – C#7 – F#maj7 – Cm7 – Fm7 – Cm7b5 – F7.

Sabiá in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: G♯maj7, A♯m7, D♯7, G♯m7, C♯7, F♯maj7, Cm7, Fm7, Cm7♭5, F7.

Scales for Improvisation G# bebop, G# bebop major.