A Mi Manera in G

A Mi Manera in G

A Mi Manera in G — Claude François / Jacques Revaux / Paul Anka's timeless bolero. The Bebop Major and Major Pentatonic scales work beautifully over these romantic changes. Chords: G – Bm – Em – Em7 – C – D7 – Cm – E7 – Am7.

A Mi Manera in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to B (ascending major third), B to E (ascending perfect fourth), E to E (ascending unison), E to C (descending major third), C to D (ascending whole step), D to C (descending whole step), C to E (ascending major third), E to A (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.