Chega de Saudade (No More Blues) in D

Chega de Saudade (No More Blues) in D

Chega de Saudade (No More Blues) in D — Antonio Carlos Jobim / Newton Mendonça's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Em7 – A7 – Dmaj7 – D7 – Gmaj7 – Gm6 – F#m7 – B7 – C7 – Fmaj7 – F6 – Em7b5 – A7b9 – D6.

Chega de Saudade (No More Blues) in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to F# (descending half step), F# to B (ascending perfect fourth), B to C (ascending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.