Do Re MiC D E

NEFERTITI

Wayne Shorter4/4swing
F♯Maj7♯11
E7/C
C♭Maj7
C♭Maj9♯11
C♯7♭9♯11
D69♯11
Cadd2/A
EMaj7♯11/B♭
Dadd2
D13
G♯mMaj7/E♭
C♯13♯9/A

Chord Diagrams — NEFERTITI in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯Maj7♯11
Bsus4
4frEADGBE11xx24
2frEADGBE111234
7frEADGBE111234
9frEADGBE1144x3
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
E7/C
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
BMaj9♯11
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9♯11
C♯ - F - G♯ - B - D - G
D69♯11
D - F♯ - A - B - E - G♯
Cadd2/A
A - C - E - G - D
EMaj7♯11/B♭
Dadd2
D - F♯ - A - E
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
G♯mMaj7/E♭
EADGBE11x243
4frEADGBE111132
6frEADGBE11x342
11frEADGBE11x423
G♯mMaj7
EADGBE11x243
4frEADGBE111132
6frEADGBE11x342
11frEADGBE11x423
C♯13♯9/A
A - C♯ - F - G♯ - B - E - A♯

Explore More

NEFERTITI in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to Cb (descending major third), Cb to Cb (ascending unison), Cb to G# (descending major third), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C (descending whole step), C to E (ascending major third), E to D (descending whole step), D to D (ascending unison), D to G# (ascending tritone), G# to G# (ascending unison), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 16 bars · Form: A

Chords: F♯Maj7♯11, Bsus4, Fm7♭5, E7/C, C♭Maj7, C♭Maj9♯11, G♯m7♭5, C♯7♭9♯11, D69♯11, Cadd2/A, EMaj7♯11/B♭, Dadd2, D13, G♯mMaj7/E♭, G♯mMaj7, C♯13♯9/A.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#