NEFERTITI in A

Wayne Shorter()swing
Do Re MiC D E
A
AMaj7♯11
G7/C♯
C♭Maj7
C♭Maj9♯11
E7♭9♯11
F69♯11
D♯add2/A♯
GMaj7♯11/B
Fadd2
F13
BmMaj7/E
E13♯9/A♯

Chord Diagrams — NEFERTITI in A (Guitar)

Display
FingerNoteDegree
AMaj7♯11
Dsus4
EADGBExx123
3frEADGBEx3145frEADGBE11123410frEADGBE111234
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
G7/C♯
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
BMaj9♯11
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7♭9♯11
E - G♯ - B - D - F - A♯
F69♯11
F - A - C - D - G - B
D♯add2/A♯
A♯ - F - D♯ - G
GMaj7♯11/B
Fadd2
F - A - C - G
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
BmMaj7/E
EADGBEx132
EADGBE1114237frEADGBE1111329frEADGBE11x342
BmMaj7
EADGBEx132
EADGBE1114237frEADGBE1111329frEADGBE11x342
E13♯9/A♯
A♯ - E - G♯ - B - D - G - C♯

NEFERTITI in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to G# (ascending tritone), G# to G (descending half step), G to Cb (ascending perfect fourth), Cb to Cb (ascending unison), Cb to B (descending half step), B to E (ascending perfect fourth), E to F (ascending half step), F to D# (descending whole step), D# to G (ascending major third), G to F (descending whole step), F to F (ascending unison), F to B (ascending tritone), B to B (ascending unison), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 16 bars · Form: A

Chords: AMaj7♯11, Dsus4, G♯m7♭5, G7/C♯, C♭Maj7, C♭Maj9♯11, Bm7♭5, E7♭9♯11, F69♯11, D♯add2/A♯, GMaj7♯11/B, Fadd2, F13, BmMaj7/E, BmMaj7, E13♯9/A♯.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A