Do Re MiC D E

NEFERTITI

Wayne Shorter4/4swing
A♯Maj7♯11
G♯7/C
C♭Maj7
C♭Maj9♯11
F7♭9♯11
F♯69♯11
Eadd2/A
G♯Maj7♯11/B♭
F♯add2
F♯13
CmMaj7/E♭
F13♯9/A

Chord Diagrams — NEFERTITI in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯Maj7♯11
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
G♯7/C
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
BMaj9♯11
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9♯11
F - A - C - E♭ - G♭ - B
F♯69♯11
F♯ - A♯ - C♯ - D♯ - G♯ - C
Eadd2/A
A - E - G♯ - B - F♯
G♯Maj7♯11/B♭
F♯add2
F♯ - A♯ - C♯ - G♯
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
CmMaj7/E♭
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
CmMaj7
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
F13♯9/A
A - C - E♭ - G♯ - D - F

Explore More

NEFERTITI in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to G# (descending half step), G# to Cb (ascending major third), Cb to Cb (ascending unison), Cb to C (ascending unison), C to F (ascending perfect fourth), F to F# (ascending half step), F# to E (descending whole step), E to G# (ascending major third), G# to F# (descending whole step), F# to F# (ascending unison), F# to C (ascending tritone), C to C (ascending unison), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 16 bars · Form: A

Chords: A♯Maj7♯11, D♯sus4, Am7♭5, G♯7/C, C♭Maj7, C♭Maj9♯11, Cm7♭5, F7♭9♯11, F♯69♯11, Eadd2/A, G♯Maj7♯11/B♭, F♯add2, F♯13, CmMaj7/E♭, CmMaj7, F13♯9/A.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#