The Girl From Ipanema in La#

The Girl From Ipanema in La#

A# Girl From Ipanema: Jobim's bossa nova icon, with a lush chromatic shift to bII major at the bridge. Use Lydian over the tonic bars and Lydian Dominant over the bridge's chromatic dominants. Changes: A#Maj7 – C7 – Cm7 – B7 – BMaj7 – E7 – Bm7 – G7 – F7.

The Girl From Ipanema in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to C (ascending unison), C to B (descending half step), B to B (ascending unison), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to G (descending major third), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.