Midnight Mambo in D

Oscar Hernández, as played by Daniel Ponce(1991)mamboMambo
Do Re MiC D E
Clave 3-2
A
B
C
D
E
Fsus
Fsus
Fsus
C7♭9♯5
Fm69
Fm69
C♯13♯11
C♯13♯11
Fm69
Fm69
C♯13♯11
C♯13♯11
C7♭9♯5
Fm69
F7♭9♯5
C7♯5
Fm69
F7♭9♯5
G♯maj9♯5
C♯maj9♯11
G7♭9♯5
C7♭9♯5
Fm69
Fm69
C♯13♯11
C♯13♯11
C7♭9♯5
Fm69

Chord Diagrams — Midnight Mambo in D (Guitar)

Display
FingerNoteDegree

Midnight Mambo in D

Midnight Mambo in D: Oscar Hernández, as played by Daniel Ponce's minor mambo. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Fsus – C7b9#5 – Fm6 – Fm69 – C#13#11 – Gm7b5 – Cm7 – F7b9#5 – A#m7 – D#7 – G#maj7 – G#6 – C7#5 – C7 – Cm7b5 – G#maj9#5 – C#maj9#11 – Dm7b5 – G7b9#5.

Midnight Mambo in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to C# (descending major third), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C (ascending major third), C to C (ascending unison), C to C (ascending unison), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 40 bars · Form: ABCDE

Chords: Fsus, C7♭9♯5, Fm6, Fm69, C♯13♯11, Gm7♭5, Cm7, F7♭9♯5, A♯m7, D♯7, G♯maj7, G♯6, C7♯5, C7, Cm7♭5, G♯maj9♯5, C♯maj9♯11, Dm7♭5, G7♭9♯5.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D