Midnight Mambo in A

Oscar Hernández, as played by Daniel Ponce(1991)mamboMambo
Do Re MiC D E
Clave 3-2
A
B
C
D
E
Csus
Csus
Csus
G7♭9♯5
Cm69
Cm69
G♯13♯11
G♯13♯11
Cm69
Cm69
G♯13♯11
G♯13♯11
G7♭9♯5
Cm69
C7♭9♯5
G7♯5
Cm69
C7♭9♯5
D♯maj9♯5
G♯maj9♯11
D7♭9♯5
G7♭9♯5
Cm69
Cm69
G♯13♯11
G♯13♯11
G7♭9♯5
Cm69

Chord Diagrams — Midnight Mambo in A (Guitar)

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Midnight Mambo in A

Midnight Mambo in A: Oscar Hernández, as played by Daniel Ponce's minor mambo. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Csus – G7b9#5 – Cm6 – Cm69 – G#13#11 – Dm7b5 – Gm7 – C7b9#5 – Fm7 – A#7 – D#maj7 – D#6 – G7#5 – G7 – Gm7b5 – D#maj9#5 – G#maj9#11 – Am7b5 – D7b9#5.

Midnight Mambo in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G# (descending major third), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G (ascending major third), G to G (ascending unison), G to G (ascending unison), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 40 bars · Form: ABCDE

Chords: Csus, G7♭9♯5, Cm6, Cm69, G♯13♯11, Dm7♭5, Gm7, C7♭9♯5, Fm7, A♯7, D♯maj7, D♯6, G7♯5, G7, Gm7♭5, D♯maj9♯5, G♯maj9♯11, Am7♭5, D7♭9♯5.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A