Do Re MiC D E

Theme For Ernie

Fred Lacey4/4swing

Chord Diagrams — Theme For Ernie in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
D7♯9
4frEADGBEx2134x
7frEADGBE412
7frEADGBE111x23
10frEADGBE111324
G♯Maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
EMaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
C♯m
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
F7♯9
7frEADGBEx2134x
EADGBE111324
EADGBExx2134
10frEADGBE111x23
Faug7
8frEADGBE11x432
EADGBE1234x
3frEADGBExx1423
12frEADGBE213x4x
G7♯9/E
9frEADGBEx2134x
EADGBE3241
3frEADGBE114432
4frEADGBE44x231
Fm/E♭
10frEADGBE1142xx
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
A♯m
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
Daug7
10frEADGBE1x234x
EADGBExx412
4frEADGBEx213x4
5frEADGBE11x432
G7♯9
9frEADGBEx2134x
EADGBE3241
3frEADGBE114432
4frEADGBE44x231
D♯m
11frEADGBE111134
EADGBExx1342
EADGBExx3241
6frEADGBE111342
G♯7♭5
11frEADGBE11x23x
3frEADGBE2x341x
6frEADGBExx1234
9frEADGBE11x243

Explore More

Theme For Ernie in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to D (ascending major third), D to G# (ascending tritone), G# to C (ascending major third), C to G (descending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to D# (descending whole step), D# to G (ascending major third), G to D (descending perfect fourth), D to C# (descending half step), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to E (descending whole step), E to D# (descending half step), D# to C# (descending whole step), C# to D (ascending half step), D to A (descending perfect fourth), A to F (descending major third), F to F (ascending unison), F to G (ascending whole step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 30 bars · Form: AB

Chords: F7♭9, Cm, D♯7♭9, A♯, D7♯9, G♯Maj7, C7♭9, Gm, A♯7♭9, Fm, D♯Maj7, G7, Dm, C♯7, G♯m, F♯Maj7, B7, F♯m, EMaj7, D♯7, C♯m, D7, Am, F7♯9, Faug7, G7♯9/E, Fm/E♭, A♯m, Daug7, G7♯9, D♯m, G♯7♭5.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#