Do Re MiC D E

Theme For Ernie

Fred Lacey4/4swing

Chord Diagrams — Theme For Ernie in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
G♯7♯9
5frEADGBE44xx31
EADGBE213334
4frEADGBE114432
10frEADGBEx2134x
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
CMaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
A♯Maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
B7♯9
EADGBEx2134x
5frEADGBE3241
7frEADGBE114432
8frEADGBExx2134
Baug7
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
9frEADGBExx1423
C♯7♯9/E
EADGBEx3241
3frEADGBEx2134x
8frEADGBE2222x1
9frEADGBE111324
Bm/E♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
G♯aug7
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯7♯9
3frEADGBEx2134x
EADGBEx3241
8frEADGBE2222x1
9frEADGBE111324
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
D7♭5
3frEADGBExx2413
EADGBE11xx2
5frEADGBE11x23x
9frEADGBE2x341x

Explore More

Theme For Ernie in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to A (ascending minor third), A to E (descending perfect fourth), E to G# (ascending major third), G# to D (ascending tritone), D to F# (ascending major third), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to A (descending whole step), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to G (descending half step), G to D (descending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to A (descending half step), A to G (descending whole step), G to G# (ascending half step), G# to D# (descending perfect fourth), D# to B (descending major third), B to B (ascending unison), B to C# (ascending whole step), C# to B (descending whole step), B to E (ascending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to A (descending major third), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 30 bars · Form: AB

Chords: B7♭9, F♯m, A7♭9, E, G♯7♯9, DMaj7, F♯7♭9, C♯m, E7♭9, Bm, AMaj7, C♯7, G♯m, G7, Dm, CMaj7, F7, Cm, A♯Maj7, A7, Gm, G♯7, D♯m, B7♯9, Baug7, C♯7♯9/E, Bm/E♭, Em, G♯aug7, C♯7♯9, Am, D7♭5.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A