Do Re MiC D E

The Man That Got Away

Harold Arlen / Ira Gershwin(1953)4/4ballad
G69
B7♯5
G69
E7♯5
%
G69
%
E13
G69
E7♯5
G69
%
E7♯5
G69
%
G69
%
G69
E7/A
E7sus4/A
E7/A
Em7/A
G6/C
E7♯5
D7♭9sus4
D9sus4

Chord Diagrams — The Man That Got Away in G (Guitar)

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The Man That Got Away in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to G (descending perfect fourth), G to B (ascending major third), B to E (ascending perfect fourth), E to G (ascending minor third), G to E (descending minor third), E to G (ascending minor third), G to B (ascending major third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to A# (descending perfect fourth), A# to E (ascending tritone), E to E (ascending unison), E to E (ascending unison), E to C (descending major third), C to C# (ascending half step), C# to G (ascending tritone), G to D (descending perfect fourth), D to D (ascending unison), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 57 bars · Form: A

Chords: G6, D7, Am7, C9, G69, B7♯5, E7♯5, G9, E7♭9, G, Bm9, E13, E7, A9, D♯7, A♯m7, E7/A, E7sus4/A, Em7/A, C6, C♯dim7, G6/C, D7♭9sus4, D9sus4, Dm7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G