The Man That Got Away in E

Harold Arlen / Ira Gershwin(1953)swing
Do Re MiC D E
A
E69
E69
G♯7♯5
C♯7♯5
E69
E69
C♯13
E69
C♯7♯5
E69
E69
C♯7♯5
E69
E69
E69
E69
C♯7sus4/G♯
C♯7/G♯
C♯m7/G♯
C♯7/G♯
E6/B
C♯7♯5
B9sus4
B7♭9sus4

Chord Diagrams — The Man That Got Away in E (Guitar)

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The Man That Got Away in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to C# (descending minor third), C# to E (ascending minor third), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to A (descending major third), A to A# (ascending half step), A# to E (ascending tritone), E to B (descending perfect fourth), B to B (ascending unison), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 57 bars · Form: A

Chords: E6, F♯m7, B7, A9, E69, G♯7♯5, C♯7♯5, E9, C♯7♭9, E, G♯m9, C♯13, C♯7, F♯9, Gm7, C7, C♯7sus4/G♯, C♯7/G♯, C♯m7/G♯, A6, A♯dim7, E6/B, B9sus4, B7♭9sus4, Bm7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E