Who composed Stormy Weather?

Stormy Weather was composed by Harold Arlen in 1933. It is a ballad standard in 2/2 time. The original key is G; this page shows it transposed to C#.

What key is Stormy Weather in?

The original key of Stormy Weather is G. The form is AABA with 49 bars. This page shows the chart transposed to C#.

What scales work for improvising over Stormy Weather?

Recommended scales for Stormy Weather in C#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Stormy Weather in C#

Harold Arlen(1933)balladSlowly

Do Re MiC D E

BPM: 120

Chord Diagrams — Stormy Weather in C# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

G♯7♯5♭9

Stormy Weather in C#

Harold Arlen's torch-song standard blends blues and jazz harmony, drawing Dorian and Blues language into a deeply expressive C# setting. Bebop Major lines add forward motion and brightness against the inherently dark emotional weight. Work through the C# – Ddim7 – D#m7 – G#9 – A#7 – G#7#5b9 – F# – Fm7 – G#7b9 – G#m7 – C#7 – D# – F#Maj7 – C#Maj7 – Gdim7 – F7 – A#m7 – D#7 – G#7 changes to develop seamless transition between blues intensity and swinging forward drive.

Stormy Weather in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D (ascending half step), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to G# (descending whole step), G# to F# (descending whole step), F# to F (descending half step), F to G# (ascending minor third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to G (ascending tritone), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 49 bars · Form: AABA

Chords: C♯, Ddim7, D♯m7, G♯9, A♯7, G♯7♯5♭9, F♯, Fm7, G♯7♭9, G♯m7, C♯7, D♯, F♯Maj7, C♯Maj7, Gdim7, F7, A♯m7, D♯7, G♯7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#