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Stormy Weather in A
Harold Arlen's torch-song standard blends blues and jazz harmony, drawing Dorian and Blues language into a deeply expressive A setting. Bebop Major lines add forward motion and brightness against the inherently dark emotional weight. Work through the A – A#dim7 – Bm7 – E9 – F#7 – E7#5b9 – D – C#m7 – E7b9 – Em7 – A7 – A#Maj7 – AMaj7 – A6 – B – DMaj7 – D#dim7 – C#7 – F#m7 – B7 – E7 changes to develop seamless transition between blues intensity and swinging forward drive.
Key of A
A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through A to A# (ascending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to E (ascending minor third), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to A (descending half step), A to A (ascending unison), A to B (ascending whole step), B to D (ascending minor third), D to D# (ascending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.
Scales for Improvisation
A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.