Stormy Weather in A

Harold Arlen(1933)balladSlowly
Do Re MiC D E
A
A
B
A

Chord Diagrams — Stormy Weather in A (Guitar)

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Stormy Weather in A

Harold Arlen's torch-song standard blends blues and jazz harmony, drawing Dorian and Blues language into a deeply expressive A setting. Bebop Major lines add forward motion and brightness against the inherently dark emotional weight. Work through the A – A#dim7 – Bm7 – E9 – F#7 – E7#5b9 – D – C#m7 – E7b9 – Em7 – A7 – B – DMaj7 – AMaj7 – D#dim7 – C#7 – F#m7 – B7 – E7 changes to develop seamless transition between blues intensity and swinging forward drive.

Stormy Weather in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to E (ascending minor third), E to E (ascending unison), E to A (ascending perfect fourth), A to B (ascending whole step), B to D (ascending minor third), D to A (descending perfect fourth), A to D# (ascending tritone), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 49 bars · Form: AABA

Chords: A, A♯dim7, Bm7, E9, F♯7, E7♯5♭9, D, C♯m7, E7♭9, Em7, A7, B, DMaj7, AMaj7, D♯dim7, C♯7, F♯m7, B7, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A