Ruby My Dear in Mi
Ruby My Dear in Mi
Monk's tender ballad draws Lydian brightness and Dorian warmth through an unconventional harmonic sequence built on a E center. Bebop Major lines integrate smoothly when navigating the piece's characteristic unexpected voice movements. The EMaj7 – DMaj7 – C#m7 – CMaj7 – Bm7 – E7 – Am7 – D7 – G#m7 – C#7 – Gm7 – C7 – F#m7 – B7 – Em7 – A7 – FMaj7 – F#m7b5 – B7b9 changes deepen a player's sensitivity to chromatic harmony and Monk's idiosyncratic compositional logic.
Ruby My Dear in Mi
E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through E to D (descending whole step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to F# (ascending half step), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.
Scales for Improvisation
E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.