On Green Dolphin Street in A

Bronislau Kaper(1947)swingLatin/Swing
Do Re MiC D E
A
B
A
C

Chord Diagrams — On Green Dolphin Street in A (Guitar)

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On Green Dolphin Street in A

On Green Dolphin Street in A: modal and tonal worlds collide — the opening tonic chord shifts unexpectedly before settling into conventional ii-V-I. Lydian over the static sections, Dorian and Bebop Major through the changes. Changes: AMaj7 – Am7 – B7/c – Bm7 – E7 – Dm7 – G7 – CMaj7 – Bm/c – G#m7b5 – C#7b9 – F#m7 – F#m/g – D#m7b5 – G#7 – C#m7 – F#7.

On Green Dolphin Street in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to B (ascending whole step), B to B (ascending unison), B to E (ascending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 30 bars · Form: ABAC

Chords: AMaj7, Am7, B7/c, Bm7, E7, Dm7, G7, CMaj7, Bm/c, G♯m7♭5, C♯7♭9, F♯m7, F♯m/g, D♯m7♭5, G♯7, C♯m7, F♯7.

Scales for Improvisation A major, A dorian, A lydian, A bebop major, A major pentatonic.

Diatonic chords: See all chords in the key of A