On Green Dolphin Street in A#

Bronislau Kaper(1947)swingLatin/Swing
Do Re MiC D E
A
B
A
C

Chord Diagrams — On Green Dolphin Street in A# (Guitar)

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On Green Dolphin Street in A#

On Green Dolphin Street in A#: modal and tonal worlds collide — the opening tonic chord shifts unexpectedly before settling into conventional ii-V-I. Lydian over the static sections, Dorian and Bebop Major through the changes. Changes: A#Maj7 – A#m7 – C7/c – Cm7 – F7 – D#m7 – G#7 – C#Maj7 – Cm/c – Am7b5 – D7b9 – Gm7 – Gm/g – Em7b5 – A7 – Dm7 – G7.

On Green Dolphin Street in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to C (ascending whole step), C to C (ascending unison), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C (descending half step), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 30 bars · Form: ABAC

Chords: A♯Maj7, A♯m7, C7/c, Cm7, F7, D♯m7, G♯7, C♯Maj7, Cm/c, Am7♭5, D7♭9, Gm7, Gm/g, Em7♭5, A7, Dm7, G7.

Scales for Improvisation A# major, A# dorian, A# lydian, A# bebop major, A# major pentatonic.

Diatonic chords: See all chords in the key of A#