Infant Eyes in F

Wayne Shorter(1966)swing
Do Re MiC D E
A
E7♯9♯5
B7♭9♯5
G♯Maj7♭5
Dm/G
Gm/C
C7♯9♯5
F♯Maj7♭5/F
F♯Maj7♭5
Gm/C
Cm/F
E7♯9♯5
B7♭9♯5
G♯Maj7♭5
Dm/G
Gm/C

Chord Diagrams — Infant Eyes in F (Guitar)

Display
FingerNoteDegree
E7♯9♯5
E - G♯ - C - D - G
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
B7♭9♯5
B - D♯ - G - A - C
G♯Maj7♭5
Dm/G
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Gm/C
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
C7♯9♯5
C - E - G♯ - B♭ - D♯
F♯Maj7♭5/F
F♯Maj7♭5
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Cm/F
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134

Infant Eyes in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to G (descending whole step), G to F (descending whole step), F to B (ascending tritone), B to G# (descending minor third), G# to D (ascending tritone), D to F (ascending minor third), F to G (ascending whole step), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to C (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 28 bars · Form: A

Chords: E7♯9♯5, Am, Gm, FMaj7, B7♭9♯5, G♯Maj7♭5, Dm/G, Fm, Gm/C, C7♯9♯5, F♯Maj7♭5/F, F♯Maj7♭5, C♯Maj7, A♯m, Cm/F.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F