Infant Eyes in A#

Wayne Shorter(1966)swing
Do Re MiC D E
A
A7♯9♯5
E7♭9♯5
C♯Maj7♭5
Gm/C
Cm/F
F7♯9♯5
BMaj7♭5/A♯
BMaj7♭5
Cm/F
Fm/A♯
A7♯9♯5
E7♭9♯5
C♯Maj7♭5
Gm/C
Cm/F

Chord Diagrams — Infant Eyes in A# (Guitar)

Display
FingerNoteDegree
A7♯9♯5
A - C♯ - F - G - C
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
E7♭9♯5
E - G♯ - C - D - F
C♯Maj7♭5
Gm/C
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Cm/F
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
F7♯9♯5
F - A - C♯ - E♭ - G♯
BMaj7♭5/A♯
BMaj7♭5
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Fm/A♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx

Infant Eyes in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to E (ascending tritone), E to C# (descending minor third), C# to G (ascending tritone), G to A# (ascending minor third), A# to C (ascending whole step), C to F (ascending perfect fourth), F to B (ascending tritone), B to B (ascending unison), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to F (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 28 bars · Form: A

Chords: A7♯9♯5, Dm, Cm, A♯Maj7, E7♭9♯5, C♯Maj7♭5, Gm/C, A♯m, Cm/F, F7♯9♯5, BMaj7♭5/A♯, BMaj7♭5, F♯Maj7, D♯m, Fm/A♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#