I Can't Believe That You're In Love With Me in A

Jimmy McHugh / Clarence Gaskill(1926)swing
Do Re MiC D E
A
B
A7♯5
E7♯5
A7♯5
E7♯5

Chord Diagrams — I Can't Believe That You're In Love With Me in A (Guitar)

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I Can't Believe That You're In Love With Me in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to A (descending whole step), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to E (ascending unison), E to D (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to D by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 28 bars · Form: AB

Chords: D6, A, B7, E7, AMaj7, Bm7, A7♯5, C♯7, F♯9, F♯7, E9, E7♯5, Dm6.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A