I Can't Believe That You're In Love With Me in A#

Jimmy McHugh / Clarence Gaskill(1926)swing
Do Re MiC D E
A
B
A♯7♯5
F7♯5
A♯7♯5
F7♯5

Chord Diagrams — I Can't Believe That You're In Love With Me in A# (Guitar)

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I Can't Believe That You're In Love With Me in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to C (ascending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to A# (descending whole step), A# to D (ascending major third), D to G (ascending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to F (ascending unison), F to D# (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 28 bars · Form: AB

Chords: D♯6, A♯, C7, F7, A♯Maj7, Cm7, A♯7♯5, D7, G9, G7, F9, F7♯5, D♯m6.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#