How About You? in B

Burton Lane / Ralph Freed(1941)swing
Do Re MiC D E
A
B/D♯
F♯13
B/D♯
A♯7/D
D♯/A♯
D♯6/A♯
Fm7/A♯
F♯13
B/D♯
F♯13
B/F♯
G7/D
G♯m7/F♯

Chord Diagrams — How About You? in B (Guitar)

Display
FingerNoteDegree
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
A♯7/D
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Bdim7
EADGBE11x234
EADGBExx13246frEADGBE3x142x7frEADGBE111234
D♯/A♯
8frEADGBE111xx4
EADGBExx12433frEADGBE11x4326frEADGBE11x234
D♯6/A♯
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Fm7/A♯
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
B/F♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G7/D
5frEADGBE11x324
EADGBE3213frEADGBE11113210frEADGBE111134
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯m7/F♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134

How About You? in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D# (ascending unison), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to B (descending major third), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to E (ascending unison), E to B (descending perfect fourth), B to G (descending major third), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: B, BMaj7, B/D♯, Ddim7, C♯m7, F♯13, A♯7/D, D♯m7♭5, G♯7, C♯9, Em6, C♯m7♭5, F♯6, Bdim7, D♯/A♯, D♯6/A♯, Fm7/A♯, A♯7, D♯, B9, F♯m9, F♯m7, EMaj7, E6, B/F♯, G7/D, D♯7, G♯m7, G♯m7/F♯, F♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B