How About You? in A

Burton Lane / Ralph Freed(1941)swing
Do Re MiC D E
A
A/C♯
E13
A/C♯
G♯7/C
C♯/G♯
C♯6/G♯
D♯m7/G♯
E13
A/C♯
E13
A/E
F7/C
F♯m7/E

Chord Diagrams — How About You? in A (Guitar)

Display
FingerNoteDegree
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Cdim7
EADGBExx1324
EADGBE11x2347frEADGBE112x3x10frEADGBE11xx34
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
C♯/G♯
4frEADGBE111234
EADGBE11x4326frEADGBE1113249frEADGBE111342
C♯6/G♯
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
D♯m7/G♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
A/E
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F7/C
3frEADGBE11x324
EADGBE1111328frEADGBE11113410frEADGBE111xx2
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯m7/E
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

How About You? in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A (descending major third), A to E (descending perfect fourth), E to E (ascending unison), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to F (descending major third), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: A, AMaj7, A/C♯, Cdim7, Bm7, E13, G♯7/C, C♯m7♭5, F♯7, B9, Dm6, Bm7♭5, E6, Adim7, C♯/G♯, C♯6/G♯, D♯m7/G♯, G♯7, C♯, A9, Em9, Em7, DMaj7, D6, A/E, F7/C, C♯7, F♯m7, F♯m7/E, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A