Do Re MiC D E

Embraceable You

George Gershwin / Ira Gershwin(1928)2/2ballad

Chord Diagrams — Embraceable You in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C♯dim7
3frEADGBE11x234
EADGBExx1324
8frEADGBE112x3x
11frEADGBExx1324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
B/E♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
A♯m/D
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
FmMaj7
EADGBE111132
3frEADGBExx1342
8frEADGBE111423
12frEADGBExx4231
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
A♯9
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
12frEADGBEx21333
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Adim7
EADGBEx1324
4frEADGBE112x3x
5frEADGBE111234
7frEADGBE11x34
G♯/A
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
C♯Maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
C♯aug7
EADGBEx4321
4frEADGBE11x432
7frEADGBE431x2
9frEADGBE1x234x
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Cm7♭5
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
A♯mMaj7
EADGBE11x423
6frEADGBE111132
8frEADGBE11x342
10frEADGBE11x42x
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯9/C♯
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
C♯/D
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯7♭9
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
F♯m6
EADGBE2x1334
4frEADGBE111x32
7frEADGBE11x324
8frEADGBEx2413x

Explore More

Embraceable You in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to B (descending major third), B to C# (ascending whole step), C# to F (ascending major third), F to F# (ascending half step), F# to A# (ascending major third), A# to A# (ascending unison), A# to C (ascending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F (descending half step), F to C (descending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C♯6, C♯dim7, G♯7, D♯m, B/E♭, C♯69, F7♯5, F♯9, A♯m/D, A♯m7, C7♭9, Gm7♭5, FmMaj7, Fm, A♯9, Fm7, Adim7, G♯/A, D♯9, G♯13, D♯m7, C♯Maj7, C♯aug7, G♯m7, F♯Maj7, F7, Cm7♭5, A♯mMaj7, A♯m, D♯9/C♯, C♯/D, G♯7♭9, F♯m6.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#