Do Re MiC D E

Embraceable You

George Gershwin / Ira Gershwin(1928)2/2ballad

Chord Diagrams — Embraceable You in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
Adim7
4frEADGBE112x3x
EADGBEx1324
5frEADGBE111234
7frEADGBE11x34
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
G/E♭
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
A69
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234
C♯7♯5
7frEADGBE431x2
EADGBEx4321
4frEADGBE11x432
9frEADGBE1x234x
D9
7frEADGBEx1234
4frEADGBE221334
9frEADGBE11234x
10frEADGBE111324
F♯m/D
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
C♯mMaj7
4frEADGBE111423
EADGBE11x42x
9frEADGBE111132
11frEADGBE11x342
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Fdim7
EADGBE11xx34
EADGBE1x23
7frEADGBE111234
12frEADGBE3x142x
E/A
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
Aaug7
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
DMaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
F♯mMaj7
EADGBE111132
4frEADGBE11x342
6frEADGBE11x42x
9frEADGBE111423
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
B9/C♯
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
A/D
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Dm6
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333

Explore More

Embraceable You in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to E (descending perfect fourth), E to B (descending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to C# (ascending major third), C# to D (ascending half step), D to F# (ascending major third), F# to F# (ascending unison), F# to G# (ascending whole step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to F (ascending major third), F to E (descending half step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to C# (descending half step), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to D (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: A6, Adim7, E7, Bm, G/E♭, A69, C♯7♯5, D9, F♯m/D, F♯m7, G♯7♭9, D♯m7♭5, C♯mMaj7, C♯m, F♯9, C♯m7, Fdim7, E/A, B9, E13, Bm7, AMaj7, Aaug7, Em7, DMaj7, C♯7, G♯m7♭5, F♯mMaj7, F♯m, B9/C♯, A/D, E7♭9, Dm6.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A