Dindi in E

Antônio Carlos Jobim / Aloysio de Oliveira(1959)bossa-nova
Do Re MiC D E
A
B
EMaj7add9
DMaj7/E
EMaj7add9
DMaj7/E
A♯7add11
D♯7♯5
D♯7add13
G♯7sus4
EMaj7add9
DMaj7/E
EMaj7add9
DMaj7/E
A♯7add11
D♯7♯5
D♯7add13
G♯7sus4
DMaj7/E
C♭9
DMaj7/E
C♭9
D7add11
D13

Chord Diagrams — Dindi in E (Guitar)

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Dindi in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C# (descending half step), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to E (descending major third), E to Cb (descending major third), Cb to B (descending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to E (ascending whole step), E to D# (descending half step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to E (descending major third), E to C (descending major third), C to F# (ascending tritone), F# to C# (descending perfect fourth), C# to D (ascending half step), D to A# (descending major third), A# to F# (descending major third), F# to D (descending major third), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 41 bars · Form: AB

Chords: EMaj7add9, DMaj7/E, C♯Maj7, A♯7add11, D♯7♯5, D♯7add13, G♯7♭9, G♯7sus4, EMaj7, C♭9, Bm7, AMaj7, D7, E6, D♯7, A♯m7♭5, G♯m, Em6, C9, F♯m, C♯7, Dm6, A♯9, F♯m7, D7add11, D13.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E