Dindi in D

Antônio Carlos Jobim / Aloysio de Oliveira(1959)swing
Do Re MiC D E
A
B
DMaj7add9
CMaj7/D
DMaj7add9
CMaj7/D
G♯7add11
C♯7add13
C♯7♯5
F♯7sus4
DMaj7add9
CMaj7/D
DMaj7add9
CMaj7/D
G♯7add11
C♯7add13
C♯7♯5
F♯7sus4
CMaj7/D
C♭9
CMaj7/D
C♭9
C7add11
C13

Chord Diagrams — Dindi in D (Guitar)

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Dindi in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to B (descending half step), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to A (descending perfect fourth), A to Cb (ascending minor third), Cb to G (descending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third), D to A# (descending major third), A# to E (ascending tritone), E to C (descending major third), C to B (descending half step), B to E (ascending perfect fourth), E to G# (ascending major third), G# to C (ascending major third), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: DMaj7add9, CMaj7/D, BMaj7, G♯7add11, C♯7add13, C♯7♯5, F♯7sus4, F♯7♭9, DMaj7, Am7, C♭9, GMaj7, C7, D6, G♯m7♭5, C♯7, F♯m, Dm6, A♯9, Em, Cm6, B7, Em7, G♯9, C7add11, C13.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D