Do Re MiC D E

Dat Mistige Rooie Beest

Rogier van Otterloo4/4ballad
Fm11
Cm7/C
A♯m9/C
Cm7/C
A♯m/E♭
C♯Maj9
F♯13♯11
G♯13
C♯Maj9
C7♯5
A♯m9/C
A♯Maj13
G♯9sus4
G7sus4
Fm11
Cm7/C
A♯m9/C
Cm7/C
A♯m/E♭
C♯Maj9
F♯13♯11
A♯m9/C

Chord Diagrams — Dat Mistige Rooie Beest in F (Guitar)

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Dat Mistige Rooie Beest in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to G (descending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to F (descending half step), F to G# (ascending minor third), G# to C (ascending major third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to A (descending half step), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to E (descending half step), E to G# (ascending major third), G# to G (descending half step), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 44 bars · Form: AB

Chords: Fm11, Cm7/C, A♯m9/C, A♯m/E♭, A♯m, C7♯11, Gm7♭5, C♯Maj9, F♯13♯11, Fm9, G♯13, C7♯5, Fm7, Cm, A♯Maj13, Am7, Dm7, CMaj7, FMaj7, Em7, G♯9sus4, G7, G7sus4, C7, C7♭9, Gm7.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F