Dat Mistige Rooie Beest in E

Rogier van Otterloo()swing
Do Re MiC D E
A
B
Em11
Bm7/E
Am9/E
Bm7/E
Am/G
CMaj9
F13♯11
G13
CMaj9
B7♯5
Am9/E
AMaj13
G9sus4
F♯7sus4
Em11
Bm7/E
Am9/E
Bm7/E
Am/G
CMaj9
F13♯11
Am9/E

Chord Diagrams — Dat Mistige Rooie Beest in E (Guitar)

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Dat Mistige Rooie Beest in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to C (ascending half step), C to F (ascending perfect fourth), F to E (descending half step), E to G (ascending minor third), G to B (ascending major third), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to A (ascending half step), A to B (ascending whole step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to E (ascending half step), E to G (ascending minor third), G to F# (descending half step), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 44 bars · Form: AB

Chords: Em11, Bm7/E, Am9/E, Am, Am/G, F♯m7♭5, B7♯11, CMaj9, F13♯11, Em9, G13, B7♯5, Em7, Bm, G♯m7, AMaj13, BMaj7, C♯m7, D♯m7, EMaj7, G9sus4, F♯7sus4, F♯7, F♯m7, B7♭9, B7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E