Can Can in B

J.Offenbach()swing
Do Re MiC D E
A
B
C
D
Bm/F♯
Cdim/F♯
Bm/F♯
Cdim/F♯
F♯/A♯
B7/A
E/G♯
F♯/A♯
B7/A
E/G♯

Chord Diagrams — Can Can in B (Guitar)

Display
FingerNoteDegree
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Bm/F♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Cdim/F♯
EADGBEx41x23
3frEADGBEx1243x6frEADGBE31x42x10frEADGBExx12x3
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
B7/A
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E/G♯
4frEADGBE111432
EADGBE2312frEADGBExx12437frEADGBE111234

Can Can in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to C (ascending half step), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 120 bars · Form: ABCD

Chords: F♯7, B, E, C♯7, F♯, B7, Bm/F♯, Cdim/F♯, F♯/A♯, B7/A, E/G♯.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B