Do Re MiC D E

Can Can

J.Offenbach2/4swing

Chord Diagrams — Can Can in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯m/A
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Bdim/A
5frEADGBE31x42x
EADGBEx3x2
EADGBEx1243x
9frEADGBExx12x3
A♯7/C
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
F/C♯
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D♯/B
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4

Explore More

Can Can in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to B (ascending half step), B to A# (descending half step), A# to F (descending perfect fourth), F to D# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 120 bars · Form: ABCD

Chords: F7, A♯, D♯, C7, F, A♯7, A♯m/A, Bdim/A, A♯7/C, F/C♯, D♯/B.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#