Bewitched, Bothered And Bewildered in Mi

Bewitched, Bothered And Bewildered in Mi

Bewitched in E — Rodgers & Hart's sophisticated ballad with chromatic voice leading and an expressive melodic arc. Bebop Major navigates the major tonic sections; Dorian and Mixolydian add texture through the ii-V moves. Changes: EMaj7 – Fdim7 – F#m7 – B7 – G#m7 – C#7 – C#m7 – F#7 – F#m7b5 – B7b9.

Bewitched, Bothered And Bewildered in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F (ascending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.