Bewitched, Bothered And Bewildered in D
Bewitched, Bothered And Bewildered in D
Bewitched in D — Rodgers & Hart's sophisticated ballad with chromatic voice leading and an expressive melodic arc. Bebop Major navigates the major tonic sections; Dorian and Mixolydian add texture through the ii-V moves. Changes: D – D#dim7 – Em7 – Fdim7 – F#7 – GMaj7 – G#dim7 – E7 – A7 – B7 – Em – Bm – F#m7 – B7#9.
Bewitched, Bothered And Bewildered in D
D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through D to D# (ascending half step), D# to E (ascending half step), E to F (ascending half step), F to F# (ascending half step), F# to G (ascending half step), G to G# (ascending half step), G# to E (descending major third), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to D by minor third.
Scales for Improvisation
D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.