Ran Kan Kan in A

Tito Puente(1949)mamboMambo ♩= 202
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
-
I
-
J
-
K
-
L
-
M
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
N.C.
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
N.C.
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
Emi7
D6/9

Chord Diagrams — Ran Kan Kan in A (Guitar)

Display
FingerNoteDegree
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
N.C.
Emi7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
D6/9
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1

Ran Kan Kan in A

Ran Kan Kan in A: Tito Puente's minor mambo. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: A – G – N.C. – Emi7 – D6/9.

Ran Kan Kan in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to N.C. (ascending perfect fourth), N.C. to E (ascending major third), E to D (descending whole step). The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 88 bars · Form: Intro-A-B-C-D-E-F-G-H-I-J-K-L-M

Chords: A, G, N.C., Emi7, D6/9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A