Lamento Borincano in G#

Rafael Hernández(1929)guarachaGuaracha q=176
Do Re MiC D E
Clave 2-3
I
n
t
r
o
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A
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A
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B
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C
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D
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E
C♯7♯5
A7sus
A7sus
A7sus
A7sus
A7sus
A7sus
A7sus
A7sus
A7sus
A7sus
G13

Chord Diagrams — Lamento Borincano in G# (Guitar)

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Lamento Borincano in G#

Lamento Borincano in G#: Rafael Hernández's son cubano. Bebop Major and Major Pentatonic scales bring out the groove and energy of these changes. Chords: Dm – D# – Cm – Dm7 – D#M7b5 – CM7 – Bm7 – A – G/C – Dm6 – F9 – A#M7 – Em7b5 – A7 – C7 – A#7 – D – D6 – C#7#5 – B7#9 – A7sus – G13.

Lamento Borincano in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to D# (ascending half step), D# to C (descending minor third), C to D (ascending whole step), D to D# (ascending half step), D# to C (descending minor third), C to B (descending half step), B to A (descending whole step), A to G (descending whole step), G to D (descending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to C (ascending minor third), C to A# (descending whole step), A# to D (ascending major third), D to D (ascending unison), D to C# (descending half step), C# to B (descending whole step), B to A (descending whole step), A to G (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to D by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 59 bars · Form: Intro-A-A-B-C-D-E

Chords: Dm, D♯, Cm, Dm7, D♯M7♭5, CM7, Bm7, A, G/C, Dm6, F9, A♯M7, Em7♭5, A7, C7, A♯7, D, D6, C♯7♯5, B7♯9, A7sus, G13.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#