How to practice When Sunny Gets Blue with play-along tracks?

Use the play-along backing track above to practice When Sunny Gets Blue in the key of F. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over When Sunny Gets Blue?

For soloing over When Sunny Gets Blue, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed When Sunny Gets Blue?

When Sunny Gets Blue was composed by Marvin Fisher / Jack Segal in 1956. It is a swing standard in 4/4 time. The original key is Eb; this page shows it transposed to F.

What key is When Sunny Gets Blue in?

The original key of When Sunny Gets Blue is Eb. The form is AB with 27 bars. This page shows the chart transposed to F.

What scales work for improvising over When Sunny Gets Blue?

Recommended scales for When Sunny Gets Blue in F: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

When Sunny Gets Blue in F

Marvin Fisher / Jack Segal(1956)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — When Sunny Gets Blue in F (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

FMaj7/A

When Sunny Gets Blue in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to A (ascending major third), A to D (ascending perfect fourth), D to B (descending minor third), B to F (ascending tritone), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to D (ascending major third), D to E (ascending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to D (ascending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 27 bars · Form: AB

Chords: Gm7, C7, A♯m7, D♯7, FMaj7, Am7, D7, Bm7♭5, FMaj7/A, G♯m7, C♯7, A♯7, D7♭9, Em7, A7♭9, DMaj7, F♯m7, B7♯9, Dm7, G7, CMaj7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F