Who composed This Can't Be Love?

This Can't Be Love was composed by Richard Rodgers. It is a swing standard in 2/2 time.

What key is This Can't Be Love in?

The original key of This Can't Be Love is G. The form is AABA with 29 bars.

What scales work for improvising over This Can't Be Love?

Recommended scales for This Can't Be Love in G: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

This Can't Be Love in G

Richard Rodgers()swingModerately

Do Re MiC D E

Section A

♬

Section A

♬

Section B

♬

F13

E7♯5

Section A

♬

BPM: 120

Chord Diagrams — This Can't Be Love in G (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

Am7

F♯m7

Em7

F13

E7♯5

D7♭9

This Can't Be Love in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to G (descending perfect fourth), G to A (ascending whole step), A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AABA

Chords: G6, C7, G, Am7, D7, F♯m7, B7, Em7, F13, E7♯5, A9, D7♭9.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G