The Shadow Of Your Smile in A

Johnny Mandel(1965)bossaMedium Bossa (or Swing)
Do Re MiC D E
A
B
A
C

Chord Diagrams — The Shadow Of Your Smile in A (Guitar)

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The Shadow Of Your Smile in A

Johnny Mandel's haunting ballad unfolds through Dorian and Harmonic Minor color, casting a romantic darkness over the A tonality. The Aeolian pull gives soloists room to dwell in melancholic expression without losing forward momentum. Practice this standard to master minor tonality voice-leading and expressive phrasing over G#m7 – C#9 – C#7b9 – F#m7 – B7 – Bm7 – E7 – AMaj7 – DMaj7 – G#m7b5 – C#7 – F#m7/d – D#m7b5 – G#7 – Dm7 – G7 – C#m7 – F#7b9 – F7 – E7b9 – A6 chord changes.

The Shadow Of Your Smile in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 32 bars · Form: ABAC

Chords: G♯m7, C♯9, C♯7♭9, F♯m7, B7, Bm7, E7, AMaj7, DMaj7, G♯m7♭5, C♯7, F♯m7/d, D♯m7♭5, G♯7, Dm7, G7, C♯m7, F♯7♭9, F7, E7♭9, A6.

Scales for Improvisation A dorian, A harmonic minor, A aeolian, A minor pentatonic, A bebop, A bebop major.

Diatonic chords: See all chords in the key of A