How to practice The Last Waltz with play-along tracks?

Use the play-along backing track above to practice The Last Waltz in the key of A#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over The Last Waltz?

For soloing over The Last Waltz, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed The Last Waltz?

The Last Waltz was composed by Les Reed / Barry Mason in 1967. It is a swing standard in 3/4 time. The original key is D; this page shows it transposed to A#.

What key is The Last Waltz in?

The original key of The Last Waltz is D. The form is AB with 59 bars. This page shows the chart transposed to A#.

What scales work for improvising over The Last Waltz?

Recommended scales for The Last Waltz in A#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

The Last Waltz in A#

Les Reed / Barry Mason(1967)swing

Do Re MiC D E

Section A

♬

Cm7/F

♬

D♯/F

♬

A♯7♯5♬

♬

Cm7/F♬

♬

Section B

♬

Cm7/F

♬

BPM: 120

Chord Diagrams — The Last Waltz in A# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

Cm7/F

D♯/F

A♯7♯5

The Last Waltz in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 59 bars · Form: AB

Chords: D♯Maj7, Dm7, C♯m7, Cm7, Cm7/F, F7, A♯Maj7, A♯6, D♯/F, A♯, A♯7♯5, D♯, D♯m, A♯dim, Cm9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#