Strang Fruit in Sol#

Lewis Allan()swingAndante Moderato
A

Chord Diagrams — Strang Fruit in Sol# (Guitar)

Sol♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Re♯7♯5
Re♯ - Sol - Si - Do♯
Re♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
La♯m7♭9
Re♯7/d
Re - Re♯ - Sol - La♯ - Do♯
Sol♯m/ees
Re♯79-/f
Re♯79-/d
Re♯79-/b
Sol♯m/bes
MiMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
Sol♯m/g
Sol - Sol♯ - Si - Re♯
La69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234

Strang Fruit in Sol#

Strang Fruit in Sol#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to E (descending major third), E to G# (ascending major third), G# to A (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 31 bars · Form: A

Chords: Sol♯m, Re♯7♯5, Re♯7, La♯m7♭5, Re♯7♭9, La♯m7♭9, Re♯7/d, Sol♯m/ees, Re♯79-/f, Re♯79-/d, Re♯79-/b, Sol♯m/bes, MiMaj7, Sol♯m/g, La69.

Scales for Improvisation Sol# bebop minor, Sol# bebop.